Midwest emo

Midwest emo (or Midwestern emo) is a subgenre and scene of emo music that emerged in the Midwestern United States during the 1990s. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." Midwest emo is sometimes used interchangeably with second-wave emo, and when referenced as a genre is often conflated with indie emo or post-emo indie rock. While Midwest emo was initially associated to be music by the region, its sound and aesthetic gradually spread beyond the region.