Hungarian folk music

Hungarian folk music is characterised by complex melodic patterns, rhythmic diversity, ornamentalisation and the use of a distinctive blend of traditional instruments. It covers an array of styles, including those that accompany Hungarian folk dances, such as the csárdás, hajdútánc, héjsza, nóta and verbunkos. Instruments used in Hungarian folk music include the citera, cimbalom, doromb, duda, kanászkürt, kaval, koboz, tárogató, tambourine, tambura, tekero, ütőgardon and zurna. The name Népzene is also used for Hungarian folk music as an umbrella designation of a number of related styles of traditional folk music from Hungary and Hungarian minorities living in modern-day Slovakia, Ukraine, Moldova (Csángó), Romania (Transylvania) (Székely), Croatia and Serbia. The obscure origins of Hungarian folk music formed among the peasant population in the early nineteenth century with roots dating even further back. However, its broader popularity was largely due to the Hungarian composer Franz Liszt, who in 1846 began composing 19 Hungarian Rhapsodies for piano, five of which were later orchestrated, thus being the first pieces of music by a major composer to incorporate sources from so-ca