Gothic fiction

Gothic fiction, often referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance-era use of the word "gothic", as a pejorative term meaning medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths. The first work to be labelled as Gothic was Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Beckford, and Matthew Gregory Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets such as Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott, and E. T. A. Hoffmann frequently drew upon Gothic motifs in their works as well. Gothic aesthetics continued to be used in Victorian literature in novels by Charles Dickens and the Brontë sisters, as well as in works by the American writers Edgar Allan Poe and Nathaniel Hawthorne. Later, Gothic fiction evolved through well-known works like Carmilla (1872) by Sheridan Le Fanu, Strange Case of Dr Jekyll and Mr Hyde