Criolla

Criolla is a genre of Cuban music which is closely related to the music of the Cuban Coros de Clave and a genre of Cuban popular music called Clave. The Clave became a very popular genre in the Cuban vernacular theater and was created by composer Jorge Anckermann based on the style of the Coros de Clave. The Clave served, in turn, as a model for the creation of a new genre called Criolla. According to musicologist Helio Orovio, "Carmela", the first Criolla, was composed by Luis Casas Romero in 1909, which also created one of the most famous Criollas of all times, "El Mambí". Like the Clave and the Guajira (music), the formal structure of the Criolla consist of a brief introduction, followed by two sections of 16 measures each. The first one in a minor tone, and the second one in its major direct relative. The essential rhythm of the Criolla is the same as that of the Clave, the Vertical Hemiola, which appears consistently in the base part of those songs. The Cuban traditional Trova singers also adopted the Clave and Criolla genres, which became part of their repertoire. Some famous composers of Criollas were: Jorge Anckermann (Linda criolla), Alberto Villalón (Quiero besarte) and